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Ballet Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is effortlessly straight-backed, his arms defined beneath a simple tee. During performances, ballet dancers can appear as powerful deities, yet frequently in person they are small. Not so Ball, whose height is one reason for his demand for princely roles and pas de deux work. Possessing fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal ridicule for his early passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the company and was promoted each year, reaching the top rank of principal in 2018. He has relished tackling substantial dramatic roles, particularly the psychological angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series designed to offer intimate perspectives into a performer's art. He will guide the audience through a part, showing his mental process while performance. Yet in more comedic ballets, the challenge is profound. "Don Quixote is one of the toughest from a skill perspective," he states.

The Psychological Struggle and After the Show Emotions

What about after a show, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Creative Inspirations

Ball's tenacity stemmed from early setbacks. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, compositions, and painting.

Intimate Dance and Personal Partnership

He also favors staging dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On Instagram, followers can see videos from his projects and photos that showcase a athletic form. Does he mind that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his early self as "eager for success." Has it met his hopes? "I feel very aware of how reality is a separate reality to the dreams you made as a child," he muses. He probably has another decade of performing ahead. "I suppose in the future, I want to be a bit more kind with myself."

Written by

Taylor Adams

Education specialist with 15 years of experience in curriculum development and student mentoring across Sweden.

Kunskapsforum

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